Mirrors, Windows exhibition - an art exchange between Afghan students of the Writing the Future course and students of the Rietveld Art Academy.

In 2025, we successfully completed our first creative writing course as Writing the Future; an experience both profound and luminous. Every moment of it called for its own narrative: a testimony to the courage, awareness, and perseverance of Afghan girls. We then sought to share this powerful experience of creativity, storytelling, and expression with a wider audience. The Gerrit Rietveld Academy in Amsterdam chose to support our initiative. We launched a workshop that faciliated an art dialogue between the art students and the writers in Afghanistan.
The exhibition “Mirrors and Windows” was the result of this collaborative effort between the students of the Image&Language department of the Rietveld academy and the  students from Afghanistan - it was a work shaped by love, dedication, and solidarity. We shared the poetry and stories byte Afghan students with the Rietveld students, and forged connectuons between them. The exchange opened a window for seeing, and placed a mirror in front of human suffering. In doing so, we came to understand that pain, hope, joy, and dreams are forces of connection. The exhibition was not merely art. It was an attempt to see, to understand, and to connect worlds  that may be geographically and politically distant, yet are stitched together through art.
The students residing in Afghanistan worked under a pen name, for their safety. We thank Sahel, Nashenas, ‘A’, Habiba, Rowaida, Latifa, ‘S’, Fatema, and Husna for their brave and dedicated participation. We thank the students at Rietveld for their curiosity and talent: Na‘imah Bernard-Banton, Katinka Harmsen, Mialina Hörter, Santi Saiz Uruñuela, Eden Meulman, Roza Snels, Tom van Renen, Joris Pelder, Zwaan Schouten, Toyo Lee, Marie van Rijswijk, Mattéo Houdjal, Annija Jansone, Christie Staats, Liv Straat, Eef van der Laan, Ada James, Giulia Sachs. And Meynah Barekzai who joined in.
Everyone involved in this project has shown that each person, in their own capacity, can bring about change in the world. Here, color, voice, word, line, story, poetry, and song rise together in rebellion against silence and erasure; against discrimination; and against the normalization of injustice and violence in different corners of the world.

I am the turbulence of water
Nashenas & Katinka Harmsen
2026
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This video work is based on the poem I am the Turbulence of Water by Nashenas.


03/12/1403 - Reverberation

Habiba and Mattéo
2026
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Through each word, a story is transmitted. In reflection of an old folktale—“The King and His Seven Sons”—from Ghor Province, Afghanistan, a new story is being told. Folktales have been passed down by voice for many generations, forming the roots of identity and the cultural legacy of a land: a collective memory. If sound is the whisper of a tale, today sound is being silenced by oppressive violence. So even in silence, when these stories no longer carry sound,your voice can be louder than the silence that results from it, making these stories whole again with sound.
Listen closely to the silence and bear witness.
What should have been told is now what you can tell others.

This publication was made to accompany the visual art in the Mirrors, Windows exhbition. It contains stories, essays, folktales and poems, written by talented Afghan women who have lost their freedoms, dreams and livelihoods on 15 August 2021, when Afghanistan fell to the Taliban. Since then, the Taliban have issued more than one hundred decrees that drastically restrict the lives of women. Girls are banned from attending school beyond grade 6. Women are prohibited from studying and working. Women cannot leave their homes without a mahram (male relative). Women must cover their bodies and faces in public. Women are prohibited from raising their voices in public. Poetry and are art are criminalized, and any written work must comply with Taliban ideology.
 The Afghan history of poetry and storytelling has always been political, and (orally) traveling poems and stories can be a form of protest, of passing on knowledge throughout generations, and addressing lived experience. This tradition is still alive - even now when women are not allowed to be heard outside the house anymore; they continue to spread their words through radio and underground networks. This publication, a selection of texts by Afghan students of the online ‘Writing the Future’ school, published in the context of the ‘Mirrors, Windows’ exhibition, aims to add a small branch to this network. 


You can give these gray days a new color.

Zwaan Schouten and Nashenas

I WANTED KABUL - a poem by ‘Nashenas’


performance

Annija & Sahel

Fear — From the poetry of Afghan woman Nashenas
Installation of skirting board within the pavilion
Toyo Lee
2026
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To what extent can morality be codified? Legislated morality is not a neutral norm but a technique of governance. It originates from the fear of power that society might no longer be controllable. This fear, through the language of “moral protection”, fixes women within the private sphere of domesticity, gradually erasing her from the public world.

through the thorax
Nashenas, Roza Snels


Woven Skies
 
Nashenas & Mialina Hörter

Woven skies weaves together photos of the skies over the Netherlands and Afghanistan.

Tracing paper & Acrylic glass 50x52




POSTCARDS 

An invitation to leave an impression to be shared with the exhibitions contributors in Afghanistan
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Work by:
Mialina Hörter

Images: 
Nashenas
Na‘imah Bernard-Banton 
Katinka Harmsen
Mialina Hörter
Santi Saiz Uruñuela 

Graphic Design by:
Renjana - Louise Permadi